The human characters, in particular, become pivotal to the resistance against Earth's descent into totalitarianism. Major plotlines included Babylon 5 's embroilment in a millennial cyclic conflict between ancient races, inter-race wars and their aftermaths, and intra-race intrigue and upheaval. The series follows the human military staff and alien diplomats stationed on a space station, Babylon 5, built in the aftermath of several major inter-species wars as a neutral ground for galactic diplomacy and trade. The show premiered in the US on January 26, 1994, and ran for five 22-episode seasons. commissioned the series for production in May 1993 as part of its Prime Time Entertainment Network (PTEN). After the successful airing of a test pilot movie on February 22, 1993, Babylon 5: The Gathering, Warner Bros. Michael Straczynski, under the Babylonian Productions label, in association with Straczynski's Synthetic Worlds Ltd. If you have questions to the basics or more specific things just search or ask - and forum-members will help I also remmonend the Cubase Online-Manual with the glossary, the search-function and the table of content.Babylon 5 is an American space opera television series created by writer and producer J. Just search for the topic an hundreds of helpful tutorials pop up.and if that is too overwhelming one of the step by step course can be helpful. BUT at the end its still the same way I work: Record and edit Audio- and Midi-Tracks, sometimes Group-Channels, some Sidechaining - thats it and all I need to produce and release my music beck then and today.įor nowadays modern libraries you/we may need a little more knowledge about expression-maps, etc. Today I use all kinds of VST-Synths, Sample-Libraries, FX-Plugins in the box plus hardware-synths and guitar-pedals. Synths and Effects were still done mostly by outboard-hardware because of the low-performance of pc´s back then Track- and Parameter-Automation (Panning, FX-Amount, Volume, Modulation, Pitch, etc.) came into the game (Read/Write) I record my vocals and edit them "in" Cubase with Insert- and Send-Effects Later when audio-recording, effect-plugins and VSTs were possible. I record my vocals in an asr-10 and later an emu e64 sampler and play them back also by midi from cubase I started with hardware-synths and din-midi to sequence these hardware-synths. I know people who've bought the Groove3 stuff and felt it was worth it-so, I'm not in any way trying to dissuade you from that kind of thing-just pointing out that there will be a lot they might show you that you would go "why would I want to do that?" and they don't have that answered directly.and if you looked at someone else's workflow the answer would be "I never DO."Ĭlick to expand.I use Cubase for almost 30 years now (Cubase 3.0 on Atari in 1993) and I am sure I only know and use about 10-20% of what Cubase is capable of. So, even THAT might not be as universal as I think it should be. I mean "new track.record." is pretty self explanatory, no? And beyond that and maybe a little bit about file exporting and signal routing there's nothing you universally NEED to learn-actually, I know many a songwriter who don't have 101 level knowledge of audio signal flow inside a DAW-somehow, they get by. My point in bringing this is up is to potentially let you start taking pen to paper (or typing) what it is you want to do that isn't self explanatory. There's nothing in the Cubase manual about the VIC obsession with templates of disabled instrument tracks. I remember running into a DAW at some point that literally could NOT do it without first recording the MIDI.anyway-this is how disparate things that feed OUT OF what one might call "workflow" can be. In fact, I don't think you'll even find that in the Cubase manual. Just as example, I can show you how to record the audio output of the virtual piano as you play it.as audio.no MIDI sequencing involved.and I'd venture that 95% of Cubase users here won't even comprehend WHY that would be done-and it's NOT straight forward to do it. Recording/mixing multitrack audio-less so, which is why ProTools is "the" language. The thing is-everyone works differently in terms of creating music. I ask this.in the spirit of trying to get you closer to what you need: what MIDI sequencer or DAW have you been using? If none, or none 's less Cubase knowledge that you need, I think.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |